Відео

I've never heard Joe Lovano talk before. When I saw the title of this video I wondered if he would talk about Paul Motian, my favorite drummer, and he opened talking about him. Beautiful. Thanks for this.

Klasse! 🎶❤️

Jack Dejohnette doesn't give a downbeat 😂❤️🥁

juhuu endlich wieder online!! 🤩

Thank you very much for this. I love John's work and it was so good to hear his stories about Chick and others.

wow, I really like the way he's talking and the humor!

Ich bin total gespannt 👍🏼

Thank you so much for this Pablo! Paused and watached it over a week and man, a feel full of inspiration and beyond If you are inspired, you are inspiring Needed that

So relaxing listening to Joe.Beautiful stuff Thanks!🙏

Wow! Inspiration to go back to the shed.

Fantástic ! What an eloquent self-actualized artist ! Yes you can’t teach feeling and I love how she starts from there and not from contrived theory , It allows her to be completely original and an honest artist true to herself and artistic intention Great interviewer

❤

At this point, talent, vision and output should take precedence over concerns about corporate, climate, and privilege male and white. Less VT, more NY. Make music, make a living.

Seeing you in Port Townsend years ago was great

Sehr interessantes und informatives Gespräch. Vielen Dank an Euch beide.

Who knew Joe would be up for talking for over 2.5hrs. What a treat! Thanks, Pablo!

Selbstsicherheit??? Der Mann ist dermaßen offensichtlich voller Komplexen beladen, welche er fortlaufend überspielt, dass es der berühmte Blinde mit dem Krückstock sieht!!!

This is the best interview of Joe Lovano I've come across in terms of the insights you get into how Joe approaches improvisation and how he learned to improvise. And I have the feeling you make this possible by being such a well informed and dedicated conversation partner for him Pablo, thanks a lot :)

"It is not about the analytical; it is about the shapes & stuff"

thanks for both of your efforts to share all this with us !!!

You didn’t get to ask him why he only works with white musicians lol

Thank you!

Hello Pablo! Thanks for both interviews with Sco! Sco is my favorite jazz guitarist and I enjoyed listening to your conversation. Scofield got to play several Zappa themes (another musician I highly respect) with Duke and Cobham, as well as Govt Mule. I've always been interested in Sco's opinion about Zappa as a composer and musician - will you have the opportunity to ask him this question at your next meeting with Sco (if there is one planned)? Thank you!)

i’m excited to listen!

I bought it a few minutes ago. Looking forward to receiving the CD!!!!

hell, it's about time

exciting! :D

Sooo inspiring and therapeutic. Thank you Pablo and Joe❤️

John then Joe ….. Incredible stuff 👍Big thanks 🙏

Beautiful! thank you ✨

Oh, what a broad, diverse, surprisefull kind of a story ... Terrific playing by all, what an one breathing organism of life, colors, moods ... beautiful, love it!

I love how Pablo like: "please do elaborate." and Billy all: "ok, imma play some examples."

Jeez, Pablo! Your interviews are so inspiring! Thanks so much for this awesome work❤❤❤

these interviews are so great i just want to savor them and use them as fuel,, like some amazing pizza or somthing!

🙏

'you can go from zooming in to zooming out' ...'being very precise and being amazingly free' I like Pablo's analysis of Lovano. Having transcribed a few sections of his solos, I was struck by the contrast. He can play lines tightly around the harmony, and then go quite free with shapes and colors ala Dewey Redman, playing across the harmony, all in the same solo.

Thank you both, great interview.

Thank you so very much for these beautiful interviews ! 🙏

great to hear joe talk about ed blackwell and dewey redman

Mind blown that Wayne Shorter was originally supposed to be on that Scofield album 🤯

Yeah

nice!!

❤️‍🔥!!

i feel it that nick drake song the way sam does and fear hearing it another way

Really really love this tune. Thank you for uploading this amazing rendition!

Gonzalo Rubalcaba's mastery of blending Afro-Cuban rhythms with jazz is unmatched. I discovered him through a Pat Martino album, and I've been amazed by his playing ever since.

I'm so glad to live in the same timeline as John Scofield-what a living legend. I'm so grateful for this incredible interview. 100 thank-yous, Pablo!

Love Bill. And the Monk and Hall insights! 🤙🏻

I always looked at E7 to Fmaj as a deceptive cadence borrowed from the A minor (V-VI). Thanks for the great interview! :)